Art in Theory 1900 to 2000 an Anthology of Changing Ideas Ebook

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 · 10,168 ratings  · 52 reviews
Get-go your review of Fine art in Theory, 1900–2000: An Anthology of Irresolute Ideas
Jana
Mar xiii, 2008 rated information technology it was amazing
Goes without saying... equally this is the standard reference (at least back in my 24-hour interval). It'southward different than other reference books (I guess some wouldn't fifty-fifty call it that) in that it has parts or wholes of the original sources with a short abstract prefacing each. Also, the selections are grouped non merely by periods simply by ideas within periods such as "Objecthood and Redctivism" (inside Modernism) or "The Critique of Originality" (within Postmodernism). Enough heady material for years of excavation Goes without maxim... as this is the standard reference (at least dorsum in my twenty-four hour period). It'due south different than other reference books (I approximate some wouldn't even call it that) in that it has parts or wholes of the original sources with a short abstract prefacing each. Besides, the selections are grouped not only past periods but by ideas within periods such as "Objecthood and Redctivism" (within Modernism) or "The Critique of Originality" (inside Postmodernism). Enough heady material for years of excavation or tangents. ...more
Eleanor
Jul 22, 2010 rated it did not like it
unbelievably hard to read (i came accross the discussion altermondialisation - stupid bourriard and his stupid made-upwardly words) merely unfortunately this book is invaluable to any artist/art-student.
Mafe Pazos
Oct 31, 2012 rated it information technology was amazing
Heed-Bravado. Harrison'due south compilation catalogues the progression of discourse on the nature of course versus content, the formation of the historical perspective and the nuances nowadays in the development of ideas through the fine art discussion and its significance to the understanding of beingness and the search for significant.

Starting time with the idolization of Cezanne and the rise of Expressionism, the conversation traverses down the path of Futurists, Social Realists, Neoclassicists and fifty-fifty Dadaists,

MIND-Blowing. Harrison's compilation catalogues the progression of discourse on the nature of form versus content, the formation of the historical perspective and the nuances nowadays in the evolution of ideas through the art discussion and its significance to the understanding of existence and the search for meaning.

Beginning with the idolization of Cezanne and the rise of Expressionism, the conversation traverses down the path of Futurists, Social Realists, Neoclassicists and fifty-fifty Dadaists, culminating in the turmoil of the Post-Modernist dilemma. The artistic chat transforms into more just a discussion of movements and "-isms," and, by examining the changes in the mode people thought and engaged with fine art, information technology challenges our current perceptions of culture, history and, more importantly, our gimmicky narratives.

It compels us to think about the nature of our present sensibilities and the style in which nosotros, equally human beings, existing inside a given context, experience the allure of the sublime and the formation of civilization.

Art in Theory 1900-2000 asks you to redefine your fundamental identity and, thus, decipher the essence of your individual and collective aesthetics.

...more
David Williamson
Possible the about important volume I own, if you're into art, this is your Bible and shame on yous if you do not ain it. Possible the most important book I ain, if you're into art, this is your Bible and shame on you if you lot practice not own it. ...more
Chris
Nov fourteen, 2015 rated it information technology was amazing
As a visual art major in grad schoolhouse and instructor, this book is a necessity when writing papers for art history, criticism and critiques considering it offers insights from some of the best artists and critics of the age. A lot of the manufactures require extra research to comprehend, however, after reading and researching nearly of this (very thick) book, I have learned a great deal about theories and ideas I never knew existed in Fine art. This volition stay on my volume shelf for the residuum of forever.
Catherine
May 16, 2007 rated information technology really liked information technology
Oh Art Theory... how I dearest thee only hate thee all at the same fourth dimension. This volume is a bully resource and a must for whatsoever art historian. Filled with lots of great manufactures -- some groovy, some B.S., just still a good resource.
Brianne Walasek
a meaty read. LOTS of artist statements and writings on their own piece of work. This is a drove of manifestos, reviews and essays that's unmatched by anything else i've seen. thorough and engrossing a meaty read. LOTS of artist statements and writings on their own piece of work. This is a collection of manifestos, reviews and essays that'due south unmatched by anything else i've seen. thorough and engrossing ...more
Meg Mjaatvedt
and by read, I mean I use it as a book press
Mayank Singh
May 06, 2017 rated it really liked it
The purpose of art is washing the dust of daily life off our souls.
Pablo Picasso
Laurie
May 13, 2020 rated it really liked it
I read this book (most of it) for a Art Theory and Criticism course I took concluding semester for college. Man, information technology is a dense huge book, ( 1258 pages!) A lot of it was very dumbo reading too because many of the theorists' articles in the volume was from the 1920s to the 1940s written in a time when academic language was very ahem, academic and extremely scholarly and also from a time that is not electric current. So a lot of the material was very hard to parse. Possibly I am more pedestrian merely I do like things t I read this book (nigh of information technology) for a Fine art Theory and Criticism class I took last semester for college. Human, it is a dense huge book, ( 1258 pages!) A lot of it was very dumbo reading too considering many of the theorists' articles in the book was from the 1920s to the 1940s written in a time when bookish linguistic communication was very ahem, bookish and extremely scholarly and too from a time that is non current. So a lot of the fabric was very difficult to parse. Peradventure I am more pedestrian but I do like things to exist a little easier to read. It is good that the class required a lot of participation considering we needed information technology to truly sympathize information technology all. But personally, some of information technology was quite pretentious. Nevertheless, I gave information technology 4 stars because it was pretty comprehensive in the amount of information information technology included (again 1258 pages). For example 12 divide articles alone on cubism. (The book didn't get into modernism until halfway through the book) I volition admit to not having read the entire book merely just assigned readings (but it was a lot) and mayhap a few more chapters in trying to empathise part of information technology. At present, for people wanting to study art theory, this would exist practiced to written report in-depth. For that reason I gave it 4 stars. ...more
Objecthood
Sep 07, 2020 rated information technology information technology was amazing
A nearly useful anthology of essays and excerpts for fine art students and anyone trying to enter the earth of fine art theory. Non simply proper 'art writing' by the likes of Greenberg, Leo Steinberg, Krauss, Lippard & Michael Fried, and observations past nigh all pioneering 20th c. artists, the collection also squeezes in relevant excerpts from nigh seminal works of theory (from Simmel, Weber, Freud & Bergson to Habermas, Foucault, Derrida, Baudrillard, Kristeva, Spivak...) that volition help i grasp all conc A nearly useful anthology of essays and excerpts for fine art students and anyone trying to enter the world of art theory. Not only proper 'art writing' past the likes of Greenberg, Leo Steinberg, Krauss, Lippard & Michael Fried, and observations by virtually all pioneering 20th c. artists, the collection as well squeezes in relevant excerpts from most seminal works of theory (from Simmel, Weber, Freud & Bergson to Habermas, Foucault, Derrida, Baudrillard, Kristeva, Spivak...) that volition assistance ane grasp all concepts relevant to the discussion of contemporary fine art. ...more
Isaac Rojas
Jun 29, 2017 rated it really liked it
It works for the agreement of how the elements of art have been forged throughout time past discussion and writing of the most influential personalities in their celebrated context, merely every bit a dilettante on fine art history it would have been much helpful something more chronological. Anyways, surely this is a must exist for students on the affair or anyone who wants to dig on the essentials.
Martin Ridgway
A useful guide through the concluding century of art, even if some of the readings are tedious and pretentious in the farthermost. Notwithstanding that, the department and excerpt introductions are articulate and useful. Again, thematic rather than chronological layout.
Charles
Jul ten, 2021 rated information technology information technology was ok
This review has been subconscious because it contains spoilers. To view information technology, click hither. This was bought as a reference book for my art Caste grade, which was useful at the time but I establish the language (Art Critic Jargon), very, very hard to encompass and to be quite honest boring; equally soon as I had finished with it I sold information technology.
Nida
May 29, 2021 rated it really liked it
This book was actually useful and interesting. Whilst reading this book i was able to develop my learning as information technology had provided me with a lot of information near art and it's history. This book was actually useful and interesting. Whilst reading this book i was able to develop my learning as information technology had provided me with a lot of information about art and it's history. ...more
Murillohl
Dec 11, 2021 rated it it was astonishing
Include meaning contributions to art theory from the 1990s.
Shaun Johnson
Mar 19, 2013 rated it it was amazing
Reading this entire book felt like an achievement. Near the end it was harder to read because mid-way I decided that art critics are boring. And they are. They just constitutional on and on and on and on. The existent precious stone of this book is the text past artists themselves, their symposiums, and their interviews. Equally an artist myself I felt a profound kinship with this text. This book also introduced to me artists I knew picayune (or nothing) nigh, their movements, their politics, and their theories. Information technology is not o Reading this entire book felt like an accomplishment. Most the end it was harder to read because mid-fashion I decided that art critics are boring. And they are. They just ramble on and on and on and on. The existent gem of this book is the text by artists themselves, their symposiums, and their interviews. Every bit an artist myself I felt a profound kinship with this text. This book also introduced to me artists I knew little (or nothing) virtually, their movements, their politics, and their theories. Information technology is not only useful in applying this knowledge to looking at art, but if you are an creative person yourself it reveals to you a deeper agreement to your own artistic choices--where they come from, where they're rooted. Deeply moving. ...more
Cate Brooks
Nov 10, 2007 rated information technology it was amazing
This is an incredible resource for anyone wanting to contextualize modern-contemporary art and who doesn't know where to showtime. The excerpts in information technology are the near valuable primary reources you will find in one place ranging from artists' statements, on all the wild movements during this exciting century, to contemporary criticism like that of Greenberg and Fry. The text is thick and painful at times but so rewarding. It offers the most pure perspective and explanation of these ideas from those who This is an incredible resource for anyone wanting to contextualize modern-gimmicky art and who doesn't know where to commencement. The excerpts in it are the well-nigh valuable primary reources you will notice in one identify ranging from artists' statements, on all the wild movements during this heady century, to contemporary criticism like that of Greenberg and Fry. The text is thick and painful at times but so rewarding. It offers the most pure perspective and caption of these ideas from those who created them. ...more
Tshepang Tshepo
aforementioned twenty-four hours I was going with my friends to the park.by the way we were talking about how are we gonna run our own business so we took a big cardbord and so that nosotros can come with our ain plan.and that plan took 5day using our own brin.so information technology was painfull for united states bet look were I'm I I'm continuing hare like a small male child without knowing much more thing so at present I'g having my ain business I implore many people to work for 1000 .nosotros must not be like ZUMA let just amend our South Africa if u or I be a precedent in S. same solar day I was going with my friends to the park.by the style nosotros were talking well-nigh how are we gonna run our own business so we took a big cardbord so that we can come up with our own plan.and that programme took 5day using our own brin.and so it was painfull for united states of america bet wait were I'chiliad I I'chiliad standing hare like a pocket-size boy without knowing much more thing and then now I'one thousand having my ain business organization I implore many people to work for m .we must not be like ZUMA let simply improve our Due south Africa if u or I be a precedent in South.A. we must transport people to get and learn more about things that we tin can't practise @TSHEPANG MALATJI # AKA ...more
Lynne
Dec 31, 2011 rated it it was amazing
Not the type of book I could read cover to cover, yet full of pivotal moments in fine art from 1900-2000. I detect myself dipping in and out whenever a new interest or area of art captures my attention. Information technology was purchased every bit a mandatory text for the theory component of my art degree, but remains a staple on my bookshelf.
Mary Emily O'Hara

Fine art in Theory is not a book you "currently read" or finish, really. Information technology'southward a constantly accessible resource that allows a peek into any given intellectual era within the bounds of its temporal bracketing. I'thou always checking it for references, then re-checking information technology for ideas, then combing information technology for inspiration. MUST HAVE ON DESK AT ALL TIMES. Thank you lot.

Art in Theory is not a volume yous "currently read" or terminate, really. It's a constantly accessible resource that allows a peek into whatsoever given intellectual era inside the bounds of its temporal bracketing. I'g always checking information technology for references, and then re-checking it for ideas, and so combing it for inspiration. MUST HAVE ON DESK AT ALL TIMES. Thanks.

...more
elmira
April 29, 2007 rated it information technology was ok
Recommends it for: prospective art historians to analyze contemporary art, otherwise not worth the trouble
in that location are more than a couple of must read essays in Fine art In Theory, amazing writings by artists and art critics that are necessary to be discussed among artists and art historians mostly for one good reason, that these readings volition confuse the artists in their fine art practice.
yao
Mar 05, 2007 is currently reading information technology
this book is very abrasive
but it tells you a lot about modern art
Octavius Neveaux
Jun 10, 2007 rated information technology information technology was amazing
Recommends it for: anyone who cares for art
i keep reading it over and over for the past seven years
I'k fuckin' gaga for this book
i go on reading it over and over for the past seven years
I'm fuckin' gaga for this book
...more than
Charles Townsend Harrison, BA Hons (Cantab), MA (Cantab), PhD (London) was a prominent United kingdom of great britain and northern ireland art historian who taught Art History for many years and was Emeritus Professor of History and Theory of Art at the Open up University.

He was tutor in Art History, Open up University, 1977-2005, Reader in Art History 1985-1994, Professor of the History & Theory of Art, 1994-2008, Professor Emeritus, 2008-2009; Visit

Charles Townsend Harrison, BA Hons (Cantab), MA (Cantab), PhD (London) was a prominent United kingdom fine art historian who taught Art History for many years and was Emeritus Professor of History and Theory of Art at the Open up University.

He was tutor in Art History, Open up University, 1977-2005, Reader in Art History 1985-1994, Professor of the History & Theory of Art, 1994-2008, Professor Emeritus, 2008-2009; Visiting Professor, University of Chicago 1991 and 1996, Visiting Professor, Academy of Texas, 1997.

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